Where GUESS Style Comes to Life
The lifestyle blog and event hub for GUESS and Marciano — featuring campaign launches, in-store celebrations, sweepstakes, and style editorials from the world of GUESS.
"Because some things never go out of style." — Celebrating the GUESS + Marciano Spring '18 Campaign
Behind the lens of the resort campaign photographer
A resort campaign begins long before the first frame is captured. It starts with a feeling: warm air on bare shoulders, late afternoon light across polished fabric, and the easy confidence of dressing for somewhere beautiful. For GUESS and Marciano, that feeling becomes a visual story through considered locations, expressive styling and a photographer who knows how to turn movement into memory.
In this behind-the-scenes interview, the photographer of the resort campaign shares how the shoot came together, from scouting the right landscape to finding the moment when a model stops posing and starts inhabiting the clothes. The approach is instinctive, but every detail has a purpose.
The result speaks naturally to Australian wardrobes. Think linen for a Byron Bay escape, denim for a Gold Coast afternoon, or a sleek dress that works from a rooftop bar in Sydney to dinner by the harbour. With the Australian resort season spanning beach holidays, city breaks and long weekends, versatile pieces matter as much as the destination.
There is also a distinctly local rhythm to the way fashion is worn here. An outfit needs to handle a sunny arvo, a sudden sea breeze and an itinerary that runs from brunch to sunset drinks. The campaign photographer approached each image with that sense of freedom in mind, creating pictures that feel polished without losing their relaxed energy.
The light that sets the mood
“The first thing I look for is how the light moves,” the photographer explains. “A resort image should feel warm, but it cannot look flat. I want the clothes to hold their shape while the surroundings remain alive.”
That balance shaped the campaign’s visual language. Strong sunlight brings out the structure of tailored pieces, while softer light reveals the texture of knitwear, satin and lightweight layers. Rather than relying on heavy retouching or overly constructed poses, the photographer worked with the natural changes in brightness throughout the day.
Early morning created a clean, almost cinematic quality. By late afternoon, the images gained richer shadows and a golden edge. This familiar “golden hour” effect gave the collection its holiday atmosphere, but the photographer treated it as a starting point rather than a formula. “The best light is useful because it supports the mood. It should never become the whole story.”
For Australian viewers, that distinction feels especially relevant. The intense brightness of a Sydney summer or a Queensland beach can make colour and fabric read dramatically on camera. The campaign uses that clarity to showcase bold GUESS signatures while keeping the overall mood effortless.
From location scout to final frame
Location scouting was guided by contrast. The team looked for settings where clean architecture could sit beside organic textures, allowing the campaign to move between sharp city styling and a more open, coastal atmosphere. A sun-washed wall, a winding path and a stretch of water could each suggest a different part of the resort story.
“The location gives the model something to respond to,” says the photographer. “I am interested in what happens when a person walks through a space rather than simply stands in it. A turn, a pause, a hand brushing against a railing — those details make the image believable.”
This emphasis on movement shaped the shoot’s pace. Models walked, adjusted sunglasses, stepped into the wind and interacted with the clothes as they would in real life. A flowing skirt was allowed to lift naturally. A structured jacket was styled with an open stance. Accessories became part of the action instead of static additions.
The result is a series of frames that feel observed rather than staged. Each one captures a small narrative: arriving somewhere new, heading out for the evening, or taking a quiet moment before the next plan. That sense of narrative is central to resort photography, where the viewer is invited to imagine the day surrounding the image.
Building a resort wardrobe in motion
The photographer worked closely with the styling team to make sure every look could move. “Clothing tells you how the body should behave,” they say. “A sharp blazer creates a different rhythm from a soft shirt or a fluid dress. I try to photograph that difference rather than force every look into the same pose.”
This meant leaving room for fabric to respond to the environment. Tailoring was balanced with relaxed denim, while refined evening pieces were photographed with an ease that kept them connected to daytime dressing. Statement accessories added definition without overpowering the clothes, giving each outfit a clear point of focus.
That versatility is particularly useful for Australian customers, where resort dressing often needs to cover several settings in one day. A lightweight shirt can work over swimwear at Bondi, then with tailored trousers for a casual dinner. A statement mini dress can move from a holiday apartment to a bar in Melbourne’s laneways with a change of shoes and jewellery.
For practical ideas on translating campaign styling into everyday packing, the resort styling guide offers a useful starting point. The photographer’s own advice is simple: choose one strong piece, then build around it with textures and layers that can adapt as the day changes.
What the camera reveals about confidence
The most compelling images often arrive between poses. A model relaxes after a direction, looks away from the lens or adjusts a sleeve without thinking. Those unplanned seconds can reveal the confidence at the heart of a campaign more effectively than a carefully held expression.
“I want people to feel that the person in the picture is having a real experience,” the photographer says. “Confidence is not always a dramatic look. Sometimes it is the way someone takes up space, or how naturally they move in what they are wearing.”
This idea shaped the direction on set. Instead of asking for a single fixed attitude, the photographer gave each model a sense of intention: walking towards a destination, waiting for friends, leaving a hotel or taking in a view. The clothing then became part of the character’s story.
That approach also allowed different moods to sit comfortably within the same campaign. A sharp Marciano look could feel self-assured and architectural, while a GUESS denim outfit brought a more relaxed, youthful energy. Together, the images show resort style as a point of view rather than a strict dress code.
A campaign made for different coastlines
Resort imagery can travel widely because it relies on atmosphere, but the campaign still has an easy connection with Australia. Its open spaces and sunlit styling recall the coastal ease found from the Mornington Peninsula to the beaches of Perth. The clothes feel ready for a getaway without requiring an elaborate holiday fantasy.
“A good resort image should leave room for the viewer,” the photographer says. “You should be able to imagine yourself in that place, but also bring the feeling home. The destination is part of it; the attitude is what lasts.”
That attitude reflects how the Australian market approaches seasonal fashion. Resort collections are often worn across extended summer periods, school-holiday trips and events that take place outdoors. Customers may be shopping for a complete holiday wardrobe, but they are also looking for pieces that can be worn again at home.
Retail experiences add another layer to that connection. In-store events give customers the chance to see fabrics, fit and styling details in person, while brand activations bring the campaign mood into a more social setting. News about upcoming appearances and experiences can be found through the GUESS events calendar, where fashion and customer engagement meet beyond the campaign images.
How the images live beyond the shoot
A resort campaign does not end when the cameras are packed away. The final images appear across digital channels, retail spaces and editorial stories, each setting giving the photography a different role. On a screen, a close crop may highlight a bag or neckline. In a store, a full-length image can help establish the mood of an entire collection.
The photographer views that afterlife as part of the creative process. “I think about where an image will live,” they explain. “A photograph can be intimate on a phone and expansive on a large display. The strongest frames have enough detail to work in both places.”
The campaign’s visual choices were therefore designed for flexibility. Clean compositions leave room for digital layouts, while expressive gestures prevent the imagery from feeling static in a retail environment. The balance between close-up details and wider scenes also helps customers understand how the pieces work together.
| Campaign setting | Visual direction | Styling focus | Australian connection |
|---|---|---|---|
| Coastal escape | Open space, bright sun and natural movement | Denim, lightweight layers and relaxed separates | Beach days, road trips and warm-weather weekends |
| City resort | Clean lines, architectural backgrounds and confident poses | Marciano tailoring, structured bags and polished accessories | Rooftop dining, gallery visits and urban events |
| Sunset occasion | Warm light, longer shadows and fluid gestures | Dresses, statement jewellery and evening textures | Holiday dinners, weddings and outdoor celebrations |
| Everyday getaway | Candid movement and close attention to fabric | Versatile shirts, knitwear and adaptable separates | Pieces that move from daytime plans to an evening out |
The photographer’s final selection balances aspiration with accessibility. There is glamour in the light and styling, but there is also space for personality. A campaign image can inspire a complete look, or simply suggest one detail worth trying: a stronger shoulder, a brighter accessory, a new way to wear denim.
That is where the story behind the lens becomes valuable. Knowing how the images were made reveals the intention behind every frame — the location, the light, the movement and the confidence. It also makes the collection feel more open, ready to be interpreted across different wardrobes and destinations.
Explore the GUESS and Marciano resort collection through the campaign imagery, then bring its sunlit attitude into your own season. Discover pieces for coastal escapes, city plans and nights that call for something more considered, and follow GUESS Journal for the latest fashion stories, events and brand experiences.
Campaigns
From the GUESS Summer 2017 campaign to the Jennifer Lopez x GUESS + Marciano Spring '18 collection, GUESS Journal showcased seasonal advertising and celebrity collaborations. Charlotte McKinney, a #GUESSGirl, shared her spring shopping list — every piece under $100 — as seen on E! News. The Marciano Pre-Fall 2017 collection brought runway-inspired trends to stores with a three-day fashion event.
In-Store Events
GUESS and Marciano stores hosted memorable events across the US and Canada. The Chasing the Sun Events on June 9, 2018 featured live DJs, in-store treats, and a Ping Pong Paddle Set for GUESS List members with a $125+ purchase. Marciano Summer Store Events offered VIP treatment, sweets by Sugarfina, sparkling sips, triple points, and a custom embroidered straw beach hat with a $200+ purchase.
#DenimDay Europe
GUESS?, Inc. joined Fundación Ana Bella and Peace Over Violence in Barcelona to kick off #DenimDay Europe. Paul Marciano, Co-founder and Creative Director of GUESS?, Inc., delivered a keynote speech. Elsa Pataky served as the official #DenimDay Spain Ambassador, with fashion blogger Honey Dressing also in attendance. DenimDay was observed on May 27, 2016 in Europe and April 27, 2016 in North America.
Get in Touch
Questions about past events, campaigns, or the GUESS Journal? Reach out and we'll get back to you.